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    • GVJCI >
      • GVJCI Upcoming Events
      • API Heritage Month: South Bay Stories
      • Bento Program
      • GVJCI Scholarship
      • 2022 Art Show
      • TANOSHII Fun Camp >
        • Camper Registration
        • Counselor Registration
        • Testimonials
        • Camp Supporters
        • Activities
        • FAQ
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      • Virtual Matsuri >
        • VM Main Page
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        • 2021 VM Art Gallery
        • Entertainment
        • Food
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        • Matsuri Memories
      • Seniors >
        • TNK Classes
        • Smartphone/Tablet Class
        • Food Distribution >
          • Greeting Card Program
        • Tomo Cafe | 友カフェ
      • Recurring Events >
        • Day Of Remembrance >
          • DOR 2022 >
            • Big Band Music in Camp
            • Camp Comedy Performances
            • Japanese Cultural & Performing Arts
            • Fine Art >
              • Amache & Heart Mountain
              • Arts & Crafts
              • Henry Fukuhara
              • George Hoshida
              • Minidoka
              • Rohwer
              • Tanforan-Topaz Art School
          • DOR 2021 >
            • CSUDH Japanese American Digitization Project
            • Densho Campu Podcast
            • Lane Ryo Hirabayashi Tribute
            • South Bay JACL Oral Histories Collection
        • Meditation & More Class
        • Virtual Matsuri >
          • Art Gallery
          • Entertainment
          • Food
          • Martial Arts
          • Scholarship Recipients
      • Past Events >
        • 2021 GVJCI Online Art Show Home Page >
          • Artists A-J
          • Artists K-M
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        • The Bridge: GVJCI Heritage Center >
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        • Oysters, Bites & Biiru
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          • TABE-DORAIBU
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    • Japanese Language School >
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        • JLS Graduates
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        • Bando Hidesomi
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        • Meito Calligraphy
        • Taiko
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        • Gardena JCI Kendo
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        • Gardena Naginata
        • Kyudo Renmei
      • Service >
        • Evening Optimist Club of Gardena
      • Sports >
        • Sansei Baseball League
        • South Bay F.O.R Junior Sports Association
        • South Bay Youth Basketball
      • Youth >
        • Boy Scout Troop 683
        • Boy Scout Troop 719
  • How to Help
    • Become a Friend of the GVJCI
    • Become a Bento Buddy!
    • Giving Tuesday 11.30.21
    • Donate Your Car!
    • 2022 GVJCI Raffle Drawing
    • Shop on Amazon
    • Volunteer
    • Purchase a 2023 Calendar Ad
  • Facility Reservations
  • Blog
    • Blog Terms of Use
    • Want to write for us?

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MINIDOKA ART & FURNITURE

TAKUICHI FUJII

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Photo of Takuichi Fujii ca. 1953

Courtesy of Sandy and Terry Kita. 

"Takuichi Fujii ca. 1953.." Densho Encyclopedia. 4 Aug 2017, 09:51 UTC. 17 Nov 2021, 17:32 <https://encyclopedia.densho.org/sources/en-tfujii-1/>.
Fujii, his wife, and daughters, along with nearly all others of Japanese ancestry on the West Coast, were incarcerated during World War II. They were confined first at the Puyallup temporary detention site on the Washington State Fairgrounds thirty miles south of Seattle, and in August 1942, sent to the Minidoka incarceration camp in Idaho. Their daughters left Minidoka on work release in 1943, while Fujii and his wife remained there until the camp's closing in October 1945.

Sometime in May 1942, Fujii began an illustrated diary, which eventually reached nearly four hundred pages that span the family's forced removal from Seattle to the closing of Minidoka. Each ink drawing except the final few is accompanied by text, typically a brief caption identifying a place or event, and elsewhere, a distilled and evocative meditation. Step by step in the opening pages, Fujii describes in spare terms his move from freedom to incarceration. The diary is replete with images of the barbed wire fence, armed soldiers, and watchtowers as he methodically surveys Puyallup and then Minidoka. He pictures the daily routine, kinds of work and leisure activities, but the fact of confinement predominates. Throughout the diary, Fujii declares himself a witness as he describes his viewpoint in surveying the grounds at Puyallup and Minidoka and pictures himself sketching in public view. In chronological scope alone, it may be the most extended visual documentation of the incarceration.

Courtesy of Barbara Johns, Densho
click to read full bio at densho.org
Picture
Minidoka, montage with barbed-wire fence
Maker        Fujii, Takuichi
Medium    watercolor, paper
Dimensions    H: 11.5 in, W: 9 in

Sandy and Terry Kita Collection 

"Takuichi Fujii, Minidoka, montage with barbed-wire fence. Watercolor on paper, 11 1/2 x 9 in.." Densho Encyclopedia. 30 Nov 2017, 15:22 UTC. 17 Nov 2021, 17:35 <https://encyclopedia.densho.org/sources/en-tfujii-3/>.
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Minidoka (title page of diary)
Maker        Fujii, Takuichi
Date        1942-1945
Medium    ink, paper
Dimensions    H: 8.5 in, W: 5.5 in

Cover of illustrated diary Takuichi Fujii created to chronicle his family’s experiences from Puyallup detention center to Minidoka concentration camp.

Sandy and Terry Kita Collection 

"Takuichi Fujii, title page of diary, 1942-1945. Ink on paper, 8 x 5 1/2 in.." Densho Encyclopedia. 30 Nov 2017, 15:29 UTC. 17 Nov 2021, 17:33. <https://encyclopedia.densho.org/sources/en-tfujii-2/>

GENTARO KENNETH HIKOGAWA

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Minidoka concentration camp. G. Kenneth Hikogawa. Polishing “grease-wood” to make furniture.
10/31/1942
Stewart, Francis Leroy, 1909-1992, Photographer

National Archives Identifier: 536584 Local Identifier: 210-G-A780
Born: April 3 1902

Died: August 3 1963

Birth Location: Shikoku Island, Japan

Building furniture was an immediate need and a risky challenge for imprisoned families, as materials had to be scavenged or surreptitiously taken from guarded government stockpiles. Nails had to be pulled from old crates and straightened for reuse or found in the detritus of the hastily built barracks. [2] It is a credit to Hikogawa's mastery that he built sturdy, aesthetically pleasing furniture from packing crate wood and native scrub trees. The only evidence of his work during this time is a photo of a chest with handles made of greasewood, a native shrub of Idaho. This fits with his WRA portrait in which he is working a piece of this wood. And while there is no evidence to support a direct correlation, it is interesting to note the parallel between Nakashima's trademark use of a board's natural edges and the handles of Hikogawa's chest of drawers. Nakashima spoke appreciatively of his "apprenticeship" with Hikogawa, stating in a 1979 interview with Fine Woodworking, "The time was not entirely lost. There was wood, and a very fine Japanese carpenter, so I became his designer and his apprentice at the same time."[3] It was during the year of their incarceration together that Hikogawa shared his mastery of carpentry, specifically his reverence for trees, the use of Japanese hand tools and the traditional methods of joinery.

​Courtesy of David Lane, Densho
click to read full bio at densho.org
Picture
Cabinet with sliding panels
Maker        Hikogawa, Kenneth
Date        postwar
Medium    plywood, pine

Cabinet with sliding panels made by Kenneth Hikogawa. Includes three drawers and two lacquered, stenciled sliding panels. 

"Cabinet with sliding panels made from plywood and pine. Includes three drawers and two lacquered and stenciled sliding panels. Postwar.." Densho Encyclopedia. 18 Nov 2020, 21:04 UTC. 7 Feb 2022, 16:10 <https://encyclopedia.densho.org/sources/en-hikogawa-5/>.
Picture
Chest of drawers
Maker        Hikogawa, Gentaro Kenneth
Date        1942-1945
Medium    packing crate wood, greasewood handles

Chest of drawers made by Gentaro Kenneth Hikogawa using packing crate wood and greasewood handles in Minidoka concentration camp, Idaho. 

"Chest of drawers made from packing crate wood and greasewood handles by Kenny Hikogawa, Minidoka concentration camp, Idaho.." Densho Encyclopedia. 18 Nov 2020, 21:04 UTC. 7 Feb 2022, 16:22 <https://encyclopedia.densho.org/sources/en-hikogawa-4/>.

Special thanks to:

Densho
Alvin Takamori, GVJCI Day of Remembrance committee member

Come and visit!

GVJCI's Mission and Vision

Our mission is to create a space to engage, share, and embrace the Nikkei experience and culture.

The GVJCI envisions a vibrant network and a welcoming space for all persons interested in Japanese heritage and culture where history and tradition are honored, people are inspired to create action and change, and cultural pride and respect for all humanity are promoted.




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